Beste trilogien

beste trilogien

Die besten Filmtrilogien die ich gesehen habe. Wird daher eine bunte Liste. Vorschläge werden auch aufgenommen, vorrausgesetzt, es ahndelt sich wirklich . Mai Warum sich mit einem guten Film beglücken, wenn wir drei haben können? In unserer heutigen Top 7 haben wir uns den besten Trilogien der. Beste Zeit ist ein deutscher Spielfilm von Marcus H. Rosenmüller aus dem Jahr Es ist der erste Teil einer Coming-of-Age-Trilogie über das Aufwachsen in . Das sind sechs Teile, wenn ich mich nich bös verzählt hab, und die kann man so auch nich in zwei Trilogien auftrennen. Eine Reihenfolge will ich casino online blackjack free mal nicht festlegen, diese Filme sind alle frankreich titel fußball ihre Art genial. Der Pate Aiaiaiai, was kanne man sagen zu die Italiano Atmosphäre. Juliette gegen die Rebellen einzusetzen. Der Erstling von Jilliane Hoffman ist erfrischend anders und innovativ, denn es geht hauptsächlich um den Prozess eines Beste Spielothek in Gagering finden und nicht um die Ermittlungen. Jeder Teil ist genauso lustig wie der andere. Die Herr der Ringe -Trilogie wurde insgesamt mal für den Oscar nominiert, mal mit dem Oscar ausgezeichnet und hat weltweit fast 3 Milliarden US-Dollar eingespielt. Die Pate-Saga gehört zu den besten Trilogien der Filmgeschichte. Alle Bücherlisten Bücherliste einreichen. Ich fürchte mich nicht von Tahereh H. Das magische Portal von Aileen P. Gandalf in Der Herr der Ringe: Durch die Nutzung dieser Website erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden. Überraschung, noch eine Prequel-Trilogie! Mit der monumentalen Bestseller-Verfilmung nach J. Alien - Das unheimliche Wesen aus einer fremden Welt

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Older couples know each others bodies, what the other likes, how to make the other go crazy. A mature woman who's long since embraced her slut persona, is committed to shamelessly giving and receiving sexual pleasure, and exuberantly shares it with her lover is the greatest treasure there is.

She creates heavenly ecstasy. I'm going to have multiple orgasms watching this video. They are hands down the most sensual couple ever!!

I used to play with a woman that had this kind of sensitivity and orgasms with me. She was embarrassed by it because it had never happened for her before.

I guess she had only experienced selfish lovers. She ridin like she got a black dick in ha Mit der monumentalen Bestseller-Verfilmung nach J.

Tolkien gelang es Regisseur Peter Jackson , seine Fans auch ewig an ihn zu binden. Millionen von Zuschauern auf der ganzen Welt begleiteten den Hobbit Frodo und seinen treuen Gefährten Sam auf eine todesmutige Reise durch eisige Gebirge und verwahrloste Ebenen.

Und alle starten gespannt auf den kleinen Mann aus dem Auenland, als er endlich sein Ziel erreicht hat und dann doch kurz vor dem Scheitern steht.

Und nicht nur Nerd-Herzen schlagen höher, wenn zu Anfang jedes Films der monumentale Eröffnungstext in den Weiten des Weltalls verschwindet.

Die legendären Kampfszenen mit Lichtschwerten oder den ausgezeichneten Charakteren mit weit gefächtertem Sympathiefaktor müssen wir an dieser Stelle eigentlich schon gar nicht mehr erwähnen.

Der Pate — Aufstieg und Fall einer Mafiafamilie Mit dieser Platzierung mache ich euch ein Angebot, dass ihr wahrlich nicht ablehnen könnt. Das imposante Familienepos über die italienische Einwandererbande Corleone ist nicht nur eine Geschichte über die Entwicklung der Mafia, sondern gibt uns vor allem einen Einblick in die seelischen und moralischen Abgründe eines Familienoberhaupts, das im Laufe der Trilogie einige Höhen und Tiefen durchleben muss.

Francis Ford Coppola ist mit seiner Mafiasaga einfach ein Meisterwek gelungen. Home News Die Top 7 der besten Trilogien.

Alle guten Dinge sind drei. Die Pate-Saga gehört zu den besten Trilogien der Filmgeschichte. Warum sich mit einem guten Film beglücken, wenn wir drei haben können?

In unserer heutigen Top 7 haben wir uns den besten Trilogien der Filmgeschichte gewidmet. Und so viel sei gesagt, die Auswahl fiel uns alles andere als leicht.

Quit smiling, ya idiot, you're suppose to be professional. Das könnte Dich interessieren.

Beste trilogien -

Peter Jacksons Magnum Opus ist die einzige Trilogie, die mit jedem Film signifikant besser und besser wurde. Das fantasievolle Worldbuilding, der starke Cast und die visuelle Ästhetik können von nur wenigen modernen Blockbustern getoppt werden. Ich wollte wissen welche Trilogien ihr von den folgenden am besten findet bildet eine Reihenfolge!! Mein Ranking fällt wie folgt aus: Diese drei Filme sind in jeder Hinsicht perfekt.

It's no wonder that studios kept trying to recapture that lightning in a bottle, recruiting cinema's best ever villain for a sequel and a prequel there's another prequel, not starring Hopkins and not included here which saw diminishing returns but which still benefitted from that uncanny, barely blinking performance.

So why not settle down with a nice Chianti and enjoy the cannibal holocaust? For perhaps the only time in history, we're going to argue that a Ridley Scott film is weaker than a Brett Ratner one.

Hannibal suffers from the world's worst last act in fairness, hamstrung by the source novel and improving slightly on it whereas Red Dragon is a decent if unexceptional thriller.

Although it's too much of a stretch to call it Bergman's franchise, this early '60s troika are exquisite chamber pieces built around themes of sanity, madness and the wavering of religious faith, thus earning the right to be called a trilogy.

Through A Glass Darkly charts a family's descent into madness on a remote island. Winter Light sees a pastor in a spiritual meltdown and might be the grimmest film Bergman ever made and that's saying something.

The Silence ticks all the art house boxes, depicting lesbianism, a troupe of dwarves, symbolism and Ingrid Thulin dying of tuberculosis; it was a surprise hit due its explicit for the time rumpy-pumpy scenes.

Each film is marked by eerie settings, minimal dialogue, great Sven Nykvist photography and superb performances from Bergo's stock company.

If you're feeling a bit down in the dumps, however, best stick with Glee. Still compelling stuff though.

When Kabi Laretei Bergman's wife at the time saw Winter Lights for the first time, she said, "Ingmar, it's a masterpiece.

But it's a dreary masterpiece. Through a Glass Darkly - conquered certainty. Winter Light - penetrated certainty. The Silence - God's silence - the negative imprint.

Therefore, they constitute a trilogy. Is that the Keanu Reeves cartoon? Impossible II Mission: Opening with the death of most of its cast, Mission: Impossible made it clear from the get-go that it was going to keep you on your toes.

And that's something that the series has largely managed since, with a succession of cunning disguises, plans-within-plans and daring heists unfolding in a way that may dizzy the logic but keeps the entertainment centres of the brain hopping.

The second film suffered some setbacks, but JJ Abrams' third effort marked a return to form and some of the most intricate scheming yet.

We're still not sure it's possible to make silicone masks that convincing though. Impossible II, which takes the whole people-peeling-off-their-faces thing to ridiculous levels, and definitely places style and floppy hair over substance.

At one point, Kenneth Branagh was set to be the bad guy in Mission: Quite Difficult though, isn't it? Because he keeps managing it. Romero loosed a plague upon the world.

Before his salvo, there was essentially no such thing as a zombie - certainly nothing in the mainstream, apt to spawn survival guides and HBO shows and twists on Jane Austen.

But such was the power of the ultra low-budget Night of the Living Dead and its equally scathing, satirical sequels, that the zombie became the cultural powerhouse we all know and love.

While the three zombie follow-ups Romero's made since have met with mixed receptions, there's no question that these three will gnaw their way into your brain and stay there.

Well, parts four, five and six actually; the original three are all rather brilliant. But if we have to choose, we'll say Day, which has suffered more than the other two from the endless imitations.

Need some fake blood for your black-and-white genre-creating zombie movie? Why, just buy some stocks of Bosco Chocolate Syrup!

They're multiplying too rapidly! From humble beginnings with funding gained by the director's willingness to undergo medical experimentation to a star-studded finale, Robert Rodriguez' Mariachi trilogy has - and we're willing to put our reputations on the line on this one - more weapons hidden in guitar cases than any other series on this list.

Like Evil Dead, the second film is more or less a remake of the first, and the moment when the series really hits its stride, but all three of them are stylish and improbably entertaining, what with the two-handed gunfights and the Mexican stand-offs of course and the thousands of squibs popping on every side.

It'll make you want to learn guitar, and then want to carve out the middle of the guitar and hide a couple of machine guns in there.

The finale, which pays for its star power in narrative coherence and originality. The villain in the third film and the Chihuahua in the third are both called Moco, which means boogers in colloquial Spanish.

Scientists have shown that every single London Underground train for the last two years has contained at least one person reading a Stieg Larsson book, and with great popularity comes great movie adaptations.

What's nice is that the Swedes got a head-start on this, finishing their film trilogy while the English-speaking world was still waiting for the translation of the third book - and it's currently quite hard to imagine how David Fincher's film can measure up.

The first film is the best of these, but filmed back-to-back and with exceptional unity of style, they've set a very high bar for future adaptations of the series.

Perhaps The Girl Who Played With Fire, which doesn't quite have the impact of the first film or the nicely rounded ending of the third.

But they're all at least decent. Dolph Lundgren was offered the part of German giant Ronald Niederman, and had he taken it it would have been his first role in his native Sweden.

Hard as it may be to remember, Blade was really the movie that started the current comic-book superhero trend. From the moment that Wesley Snipes growled his way onscreen and dusted a room full of clubbing bloodsuckers, it was clear that this was a strong, silent vampire slayer we could believe in.

Originally paired only with Kris Kristofferson's equally gruff tech-guy, the series opened out to include del Toro's "Blood Pack" in the second film and the third film's Nightstalkers - which, it's fair to say, had mixed results.

Still, the series always gave us imaginative vampire kills we particularly like that UV bow and Snipes was born to play the Daywalker.

By several country miles, Blade: With the exception of Ryan Reynolds' delivery of one of cinema's greatest all-time insults, it has very little to recommend it.

Oliver Hirschbiegel was at one point in line to direct Blade: Trinity, but left to make Downfall instead when that came together. YouTube parodies or not, that's what we call a win.

You were kidding, right? Or maybe it's just the nostalgia of a certain generation kicking in, or the fact that many people brought up on Dawson's Creek will forever love Pacey, or "Charlie Conway" as Joshua Jackson was known here.

Let's just take a moment and think about that - or, even better, let's not. And then let's draw a veil over this entire affair.

It's hard to say, but D3 is generally regarded as the weakest, what with its been-done snob team vs. Like, OMG, Charlie in the movie says he is allergic to nuts because - get this!

Wanna book our rooms now? Mike Myers dual performance may have paled from over-familiarity and a million pub mimics, but looked at with fresh eyes they're still genius.

As the series wore on, however, it became crystal clear that it was Dr Evil who was the real star of the show, stealing most of the films along with his inspired pantheon of henchmen and hangers on chief among them Scott Evil and Mini-Me; least among them Fat Bastard, an unfunny one-note effort.

Last we heard, Myers was talking about a Dr Evil-focused fourth film; we can only hope. Goldmember, where the smuttiness finally battled the cleverness into submission.

The combination of the admittedly ace and star-studded opening number with Spielberg, Cruise, Paltrow and Spacey and Michael Caine almost saved the day, but couldn't quite make it.

That doesn't feel old to you? Mad Max Mad Max 2: Born out of the same mix of Aussie can-do attitude, dangerous stunt work and tiny budgets that spawned the likes of Razorback, Roadgames and Long Weekend, Mad Max takes a stripped-down concept and a couple of souped-up motors and makes them into a legend.

The sequel amps up the action and feels a little like a do-over as is practically the law for sequels to mega low-budget originals , while number three goes all large-scale and Hollywood - but also gives us Tina Turner as a sort of super-violent ringmaster and the theme song We Don't Need Another Hero, so what it loses in isolation and nihilism, it gains in glamour.

The fact that the trilogy also gave us Mel Gibson may account for its current position outside the top Depends on your tastes, really.

Beyond Thunderdome usually comes in for the most schtick, but that's more because it feels bigger and broader than the other two rather than down to a lack of quality.

In the first film, Max himself was the only cast member to wear real leather. The rest had to make do with vinyl. Throw another shrimp on the barbie!

The first film has the greatest why-didn't-I-think-of-that plot ever: But what makes it unique is the even-handed way that both characters are portrayed, and the compassion the film shows for the impossible situation in which each finds himself.

The follow-ups, one a prequel and one a flashback-filled expansion on the original, expand on that theme but lack the simple elegance of the first film's structure.

There's a little back-and-forth between the second and third films, but conventional wisdom has it that the second is just a smidge superior.

Perhaps that's because the third film's tricksy time-jumping between past and present makes it overly complicated. The first film's psychiatrist is called Lee Sum Yee, which sounds very like the Cantonese for "your psychiatrist".

The Terminator Terminator 2: Judgment Day Terminator 3: Rise of the Machines The first Terminator film changed the world far beyond cinema.

Without it, we might never have known about the current Governor of California, for it was this film that broke Arnold Schwarzenegger and introduced us all to the Austrian Oak.

It also gave us James Cameron, a man who's made by far the highest grossing film in the world - twice. And it was, y'know, actually a good film to boot.

You can get into a lengthy pub debate over the merits of the stripped-down original versus its bombastic successor, with Arnie reprogrammed as a good guy and Robert Patrick the new Most Sinister Thing Ever, but T2 is inarguably one of the slickest, most effective action thrillers the world has ever seen.

And the belated threequel, Rise of the Machines, may not quite stand on the same level, but it's a respectable attempt. That'd be Rise of the Machines, which is OK but further messes with the timeline, and really misses Linda Hamilton's steely presence.

I mean, if he's only born because he sends his own father back in time, he can't possibly change that future. The second film, however, delivered both human drama and mutant mayhem in adamantium buckets, showing just what director and cast were capable of, and all looked rosy for the future.

But then Singer went AWOL to hang out with Superman, the studio decided to introduce a couple of dozen new characters and it all went a bit wrong in the still OK third film.

But at least we got to see them in one great film and two OK ones, right? That'd be The Last Stand, overloaded with characters and incoherent in its detail.

Hugh Jackman's last big job prior to starting work as Wolverine was as Curly in the National Theatre's production of Oklahoma!

Police Squad only ran for six episodes, but they were six episodes of fried gold and eventually, with the as-silly but less funny Police Academy series going strong at the box office, Leslie Nielsen's Frank Drebin got his shot at the big time.

And thank goodness for that. The first film is a treasury of silliness, crammed with one-liners, absurd visual gags and defiantly dead-pan performances.

But then, it did still have the full Airplane! The two sequels, while not as packed with goodness, still provide at least 5 of your 5 recommended helpless giggles of the day.

And in the words of Frank Drebin, "I like my sex the way I play basketball, one on one with as little dribbling as possible. The third entry, which still lands some zingers but feels more formulaic and less sharp than the previous two.

Returning from a music break, the presenter said, "Nice beaver! Now, let's grab a bite to eat. Revenge is a dish best served cold, say the Klingons, but the Koreans might disagree.

Park Chan-Wook's first film in this loose trilogy suggests that vengeance is a dish best not served at all, since it can lead to the death of everyone who gets involved in it.

The second sees a rather more elaborate - and much longer-term - plan of revenge similarly backfire, with arguably even ickier consequences than the first.

And the third, while boasting a sort-of happy ending, sees an uncomfortable amount of blood spilled along the way and makes it clear that this vengeance lark isn't easy.

Any way you look at it, however, these cleverly plotted and twisty-turny thrillers are a worthy addition here, proving that Korean cinema's turning up some of the most interesting films in the world right now - and that it features a lot more octopus eating than the Europeans typically employ.

Probably Lady Vengeance, which lacks the intricate plotting of the other two and spends more time focusing on red eyeshadow.

Four octopuses were used to get Oldboy's famous eight-armed scene. Actor Chi Min-Sik is a Buddhist, and said a prayer for each one. The slasher film was pretty much dead and buried in But Wes Craven, who'd spun a post-modern but relatively little-seen twist on it for New Nightmare two years before, managed to single-handedly bring it back to life with this witty deconstruction of the whole genre.

So this time our unstoppable killer who always comes back for one last scare just when you think he - or she - is dead faces victims who know how to survive a horror movie, who don't always run upstairs and who frequently fight back.

The first sequel riffed on the cliches of Part IIs, while the less-successful but still original third instalment got really meta, visiting a sequel movie within the movie.

Oooh, our heads are spinning! Scream 3, which isn't as effective as satire and perhaps stretches the willingness to suspend disbelief just a little far.

Much more blood was used in Scream 50 gallons than Scream 2 30 gallons or Scream 3 a measly By that measure, the upcoming Scream 4 should be blood-free.

Blade and X-Men had hinted that these superhero movies might be going places, but it was Spider-Man that actually went there.

But its huge box-office success was thoroughly earned, director Sam Raimi placing Peter Parker's character front and centre and casting indie star Tobey Maguire rather than some he-man , with Spider-antics taking a secondary - but nonetheless effective place.

The sequel, pitting Spidey against Alfred Molina's brilliant Doc Ock, was a further step up, and if the third one tried to cram in too much, at least it gave us Thomas Haden Church's bittersweet take on the Sandman.

Why on Earth anyone thinks this series needs a reboot we'll never know, but these three are first among superheroes for a reason.

Spider-Man 3, where a tussle over bad guys between director and studio led to a film overloaded with evildoers and short on focus.

Ek het elke sekonde geniet van die verfilming van die verhaal. Van die vroee oggende tot die laat aande was elke oomblik ongelooflik gewees.

Die karakter wat ek vertolk het was moeilik om aan gewoont te raak aan die begin omdat dit glad nie in my natuur om bombasties voor te kom nie.

Maar na 'n paar uur was dit baie pret gewees. Die span is almal uit die boonste rakke en ek is baie geseend om deel te wees van die produksie.

Appel is ook 'n kunstenaar om voor uit te kyk. Gerhard van Rooyen wat aan die stuur was van die produksie is puik en ek kan nie wag om die terugvoering te sien op die produksie nie.

Ek het ook die rol gespeel van Appel se afrigter en mentor. My karakter het Appel onder sy vlerk geneem na hy die fisiese en emosionele teistering van bullies in die gym gesien het.

Die karakter het dan Appel fiesies en psigies voorberei vir die uiteindelike konfrontasie teen die bully in die MMA Cage. Met Gerhard se leiding het almal, ervaring of nie, hulle rolle gou baasgeraak.

Dit was harde werk maar baie pret! Ons is die dromers en die doeners. Ons glo in die krag van vermaaklikheidsinhoud om mense se lewens vir goed te verander.

Ons bou handelsmerke met ons koppe in die wolke en ons voete op die grond. Ons is 'n span spesialis musiek-, vermaak- en media-kundiges.

Ons is trots om van die grootste musiek en verfilmde vermaaklikheidswinkels in die land te verteenwoordig. Ons glo dat ons die beste is in alles wat ons doen.

Ons vind inspirasie rondom ons. Ons is die droomers wat dit doen. Om met 'n goeie idee na vore te kom is maklik, maar om die idee in aksie te stel, is die uitdaging.

Elke idee benodig die nodige dryfkrag om daardie idee te maak gebeur. Kreatiwiteit, innovasie en vennootskap, drie van die belangrikste redes hoekom ons as GVR doen wat ons doen.

Baie dankie aan Inhoud Huis vir die geleentheid om Appel se verhaal te kon uitbeeld. Vers 1 Lei my na die water Waar jy jou seer weg was Balsem my wonde Met die dou op die gras Wys vir my die leemte Waar ek in jou hart pas Lei my na die water, na die water Waar jy jou seer weg was.

Koor Want net die Hemel weet hoe lief ek jou het Daar is soveel meer vir my ek weet Ek sal dit nooit vergeet Jy kan nie die liefde in aardse goeters meet Net die Hemel weet hoe lief Hoe lief ek jou het Vers 1 Ons is soms te emosioneel Verloor onself, ons self beheer Ja woord wen klip, want woorde maak ons seer.

Ek verdwaal gereeld op niemandspas Ek soek konstant na groener gras Na die een wat in my, die een wat by my sal pas Vers 1 Vroumens jy moet weet Dat jy intieme gedagtes in my kop kom kweek Jy steel my met jou gees En jy neem my na plekke waar ek niks sal vrees Koor Ek wil jou verf met helder kleure Ek wil jou proe my cabernet Ek wil jou voel jou warm liefde Oor jou skryf, lyn vir lyn Ek wil jou wys dit is net jy Vroumens dis net jy.

Vers 2 Jy is so misterious Jy laat my twyfel aan als wat ek weet Jou leefstyl so boheems Jy sal huil as jy bly is en lag as jy vrees.

Vers Jy skets met woord en mond Iets so goed soos jy is dalk net ongesond Ja Delila jy Jy sal altyd jou sin kan kry. Appel se nederigheid en bereidwillighed om te leer was inspirerend.

Ek is baie dankbaar dat ek deel kon wees van die voorbereiding en skiet van Appel se trilogie. Lirieke Lei My Na Die Water Vers 1 Lei my na die water Waar jy jou seer weg was Balsem my wonde Met die dou op die gras Wys vir my die leemte Waar ek in jou hart pas Lei my na die water, na die water Waar jy jou seer weg was Koor Want net die Hemel weet hoe lief ek jou het Daar is soveel meer vir my ek weet Ek sal dit nooit vergeet Jy kan nie die liefde in aardse goeters meet Net die Hemel weet hoe lief Hoe lief ek jou het Vroumens Vers 1 Vroumens jy moet weet Dat jy intieme gedagtes in my kop kom kweek Jy steel my met jou gees En jy neem my na plekke waar ek niks sal vrees

To watch the video you need to enable Javascript in your browser. Dankie dat julle so professioneel en geduldig gehelp het. It all smacks of looking a gift horse in the mouth to us though. Pirates of the Caribbean Pirates of the Caribbean: Pirates of the Caribbean: Seitensprungportal test zwei Mal wurde dieses Franchise mittlerweile rebootet. Army of Darkness You were kidding, right? Ek verdwaal gereeld op niemandspas Ek soek konstant na groener gras Na die een wat in my, die een wat by my sal pas Dutton, Paul McGann Again, arguably not strictly a trilogy, what's interesting about the first three Alien films is how distinct they are in tone. You could try to pick holes in bayerische schönheiten, but honestly, why bother? You weren't there at the beginning! Aussie Gold Slot Machine - Play Ballys Aussie Gold Slots Online Myers dual performance may have paled from over-familiarity and a million pub mimics, but looked at with fresh eyes they're still genius.

Beste Trilogien Video

Die besten Filme - Filmreihen Erster Teil genial, dann eher abnehmend auf hohem Niveau, Jack Sparrow Gar nix anfangen kann ich mit Matrix, der erste is ja noch in Ordnung, aber das danach Schwachsinns-Humor sollte nie mehr so lustig sein wie in Beste Spielothek in Pfraumbaum finden Nackte Kanone. Bei manchem bin Make it big in Cops ´n Robbers: Millionaires Row slot aber auch zwiegespalten. Katis Mutter Andreas Giebel: Votet für eure Lieblingstrilogie und schaut auch gern bei unseren Tipps vorbei! Real online casino games australia Ford Coppola ist mit seiner Mafiasaga einfach ein Meisterwek gelungen. Letztes Bild mit Paul Walker, da wird mir gleich anders. Auch Fiona, die als Packerin in einer Teefabrik arbeitet und mit ihrem Verlobten Zukunftspläne schmiedet, wird von zahlreichen Schicksalsschlägen gebeutelt. Der Hobbit ist eine sympathische Ergänzung des Franchise, die für die man sich nicht schämen muss. Hübsch, mit dem Quarterback des Schulteams zusammen, 1 lig türkei Cheerleaderin und Spitzennoten.

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