Rueda de casino bikini

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Rueda de Casino - Level 6. Abajamo en coche; Ballerina complicado; Baseball; Cacao complicado; Cuñado; Enchufla con bikini; Dame con estilo. Kentucky. Hookturn – Enchevaria (wie twist) – Ito – Newyorker Twist – Bikini – Sinatra. 3. Wenn eine Tanz-Figur in der Rueda benutzt wird, dann heißt sie dort Befehl. survivalblog.se - Die Salsaschule in Oldenburg: Salsa Tanzkurse und Salsa Du befindest Dich hier: Rueda: Guapea. Rueda de Casino - Miami Style. Bikini) (= halbe Kette), (siehe auch "dáme con las manos" + "tranca").

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Enchufla y bikini, Salsa Casino. Gelegentlich werden auch Handzeichen benutzt, besonders wenn es zu laut ist, gesprochene Kommandos klar zu hören. Mit dem Zeigefinger gehen den Uhrzeigersinn zeigen Da wo die Männer hinlaufen sollen. Die 3 wird nicht betont. Frau mit Rechts umarmen und gemeinsame L-Drehung; Vacila-drehung unter beiden Armen 5,6,7 Die Hände werden oben über beiden Köpfen geöffnet und auf den Schultern abgelegt. Frauen jeweils ein Schritt auf der Stelle. Du kommentierst mit Deinem Twitter-Konto. Wichtig Wichtig ist keine Tanzfigur! Männer die Frauen immer nach links neigen, nie nur Mitte, um wirkliche Unfälle zu vermeiden! Vielleicht gibt es noch eine kleine Mitternachts Rueda. Wechsel vom Guapea-Schritt in die Tanzhaltung Dile que no rückwärts: Wilber Saname, vo Tocame Son Tokame feat. Los gehts um Männer auf der Stelle! Auf der 1 kreuzen beide vorn.

Diese Trennung der Figuren wurden aufgrund von verschiedenen Faktoren von mir unternommen. Dabei wurden folgenden Kriterien berücksichtigt:.

Anzahl der nötigen Takten. Man hat zuvor die einfache Grundschritte geübt, welche hier als Grundlage dienen werden. Hier können wir also, nachdem einige obigen Grundelementen als Paar getanzt wurden mit folgenden schwieriger Elementen beginnen.

Dabei sollte die Übung sowohl in geschlossener als auch in offener Stellung berücksichtigt werden. Wir fangen mit dem Seiten- bzw. Nicht mit Paseala s.

Der Unterschied wenn man unbedingt einen machen möchte ist folgender: Üblicherweise wird dieser Befehl von viele Tanzschulen so verstanden, dass der Mann im Basic tanzt während die Frau eine normale Rechtdrehung macht.

Aus diesem Grund wird fast immer so aussehen, als würde der Mann in die rechte Richtung seiner Tanzpartnerin schauen.

Üblicherweise wird der linker Arm des Mannes nach vorne im Horizontalen gestreckt. Exibela Mit dieser Tanz-Figur lernt man die erste der einfachsten Tanzkombination.

Man startet üblicherweise mit einem Par abajo oder Paseala im ersten 8er-Takt und im zweiten wird ein Vuelta getanzt. Man beginnt wie bei Dile que no und führt katapultiert: Auf die 5 wird die Frau wieder zurück von der linke in dem rechten Arm zurückgebracht.

Es entstehen eine einfache Tanzkombination, wobei beide Tänzer ein Crossado Hinten bzw. Wichtig Wichtig ist keine Tanzfigur!

Man sollte nicht nur die obige Tanzfigur schnell abtanzen. Man braucht viel Feeling dabei und darauf musste der Lehrer und die Schüler achten.

An seinem Stil auf Deutsch Style sollte mehr zeit investiert werden. An viele Tänzer in der Salsaszene erkennt man, dass sie zwar die Tanzfiguren beherrschen, aber wundern sie sich, dass manche einfache Tanzfiguren ihre Tanznachbarn besser aussehen lassen.

Man könnte während einer Übungsstunde, wobei als Paar getanzt wird dieses einfache Tanzszenario ausprobieren. Mann tanzt paarweise mit Basic-Schritten und wechselt dabei von der geschlossene in offene Stellung und zwar ein Lied lang.

Du kommentierst mit Deinem WordPress. Nach einem Enchufla geht der Salsero mit einem Salsa Grundschritt in der Mitte an seiner Salsera vorbei nach rechts und fasst mit seiner freien rechten Hand die freie linke Hand der nächsten Salsera.

Die eigene Partnerin wird dabei nicht losgelassen. Jetzt folgt auf 1,2,3 ein Enchufla für die Salsera, dabei ist es wichtig, sich auf die Führung der eigenen Partnerin zu konzentrieren.

Auf 5,6,7 tanzt der Salsero selbst ein Enchufla und dreht gleichzeitig seine Partnerin wieder aus. Eindrehen und ausdrehen wird wiederholt bis der Cantante Se fue ansagt.

Dann folgt ein einfacher Enchufla für die Dame und ein Dile que no. Beginnt wie setenta , d. Mit dem linken Arm dreht er sie im Uhrzeigersinn, sie geht hinter ihm vorbei, und es folgt ein dile que no.

Der Salsero tanzt beginnend mit dem Grundschritt weg von der Dame eine Drehung im Uhrzeigersinn, bei der er hinter seinem Rücken die Hand zwei mal wechselt.

Er hebt ihre Hand über seinen Kopf und legt sie in seinem Nacken ab. Sie hat die Chance zärtlich zu sein. La caricia würde ich auf der 1 ansagen und auf der 5 führen.

La caricia wird im barrer getanzt. Der Salsero nimmt seine Partnerin in die geschlossene Tanzhaltung, d. Auf das Kommando centro barrera - spanisch barrera bedeutet "Schranke" - wird genau so getanzt, nur dass der Salsero seine langen Grundschritte über Kreuz vor das jeweils andere Bein setzt, wobei die Partnerin leicht zur anderen Seite gezogen wird.

In der Position nach prima vamos al centro gehen entweder die Salseros - chicos zero - oder die Salseras - chicas zero Video WM - mit sechs Schritten von innen um ihren Nachbarn herum.

Cha-cha-cha wird auf der 7 angesagt. Auf der 1 kreuzen beide vorn. Die drei Cha-cha-cha Schritte werden auf der 3 getanzt. Er führt sie in eine Rechtsdrehung und tanzt eine Rüchwärtsdrehung.

Cha-cha-cha wird in der offenen Tanzhaltung angesagt. Allgemein ein Ausdruck, mit dem Befehle angekündigt werden, die nur von den Salseros oder nur von den Salseras ausgeführt werden sollen.

Der Salsero dreht die Dame auf seiner rechten Seite ein, geht links an ihr vorbei, so dass sie seine rechte Hand auf ihrer Schulter um ihren Hals liegen hat.

Mit einer Schwungdrehung wird sie ausgedreht, dann tanzt sie vor ihm nach rechts und links und wird dann an der Schulter gedreht um ihn herumgeführt.

Contra tiempo wird auf der 7 angesagt. Für ihn für sie spiegelbildlich: Der rechte Ballen tippt auf. Es sind drei Schritte auf der 1 und der 2 Contra tiempo wird in der offenen Tanzhaltung angesagt.

Auf der 6 hebt er seinen rechten Arm und legt ihre rechte Hand auf seinem Bauch ab. Auf der 7 legt er seine linke Hand auf ihren Rücken.

Er kreuzt vorn auf der 1. Er führt sie gerade zur Kreismitte. Er kreuzt hinten auf der 5. Auf die Ansage doble wiederholen sich der 2.

Coppelia a la playa wird im barrer angesagt. Auf der 6 legt er ihre rechte Hand auf seinem Hals ab. Coppelia anaconda wird im barrer angesagt.

Auf der 6 löst er seine Hand von ihrer Hand und ergreift ihr Handgelenk. Auf der 7 führt er ihr Handgelenk auf ihren Rücken und wechselt die Hand.

Coppelia con alarde wird im barrer angesagt. Video The Rueda Project - Montreal. Nach der enchufla für ihn zwei Rückwärtsdrehungen in einem Takt.

Streng auf der Linie und deshalb keine Rueda-Figur. Die 3 wird nicht betont. Auf der 5 gehen beide aufeinander zu, so dass sie sich etwas ins Ohr flüstern könnten.

Ihre linke Hand stützt sich gegen seine rechte Hand. Auf der 6 gehen beide mit einem zeitlich kurzen, aber räumlich langen Schritt zur Kreismitte.

Auf 5,6,7 die Frau nach platinum reels casino new player bonus codes 2019 am rechten Arm ausdrehen. Passwot Colita Das Schwänzchen. Vielen Dank an Susanne aus Ludwigsburg bei Stuttgart! Bei 1 im nächsten Zyklus werden beide Hände gehoben und über den Kopf der Frau gehalten, während 1,2,3 läuft man so, dass man ihr gegenuebersteht und zieht bei 5 top european online casinos linke Hand über den eignen Kopf als würde man sich strählen und bei 7 dasselbe mit der rechten Hand. Der rechte Ballen tippt auf. Auf 5 mit dem Bein etwas in Richtung El bonus u stampfen. Nur die Männer drehen sich der Frau zu, gehen in die geschlossene Tanzhaltung, und laufen vorwärts. Es entsteht also eine Kette. Die Frau innen zum nächsten Mann. Und man bleibt dann nach der Drehung auch in der geschlossenen Tanzhaltung.

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NachtKantine im neuen Werksviertel Atelierstr. Nur auf 1 Schritt mit links nach vorne, nur auf 3 Schritt mit rechts nach vorne, nur auf 5 Schritt mit links nach vorne, nur auf 7 Schritt mit links nach vorne. Miami Enchufe zur Übernächsten, d. Dann weiter Figuren aus " Al Centro " tanzen. Auch das tanzt man solange bis die nächste Ansage kommt: Yunaisy Yunaisy beim Cubafestival Diese Trennung der Figuren wurden aufgrund von verschiedenen Faktoren von mir unternommen. Du kommentierst mit Deinem Twitter-Konto. Cross Beste Spielothek in Weekeborg finden to finish. Die Stufe der Profis V. La Jenny - - Enchufla, switching hands, then Beste Spielothek in Weichtungen finden the next eight count, cross-body lead back to the left and pull the follow behind the lead like paseala. Do a two handed enchufla and the lead does a hook turn, ending up under the follows arms. La caricia wird im barrer getanzt. Die Figuren in einer Datei zum Lernen ist derzeit today match predictions verfügbar. After changing directions, both leads and follows walk in their respective directions for another eight count and on the second eight count they should be close to their original partners. Drop the hands low, then turn toward the follow your right and duck back under rueda de casino bikini arm and the lead should be in a hammer lock at this point. Unhook the hair comb and lead the follow around until facing into the circle and hair comb the follow.

Nicht mit Paseala s. Der Unterschied wenn man unbedingt einen machen möchte ist folgender: Üblicherweise wird dieser Befehl von viele Tanzschulen so verstanden, dass der Mann im Basic tanzt während die Frau eine normale Rechtdrehung macht.

Aus diesem Grund wird fast immer so aussehen, als würde der Mann in die rechte Richtung seiner Tanzpartnerin schauen.

Üblicherweise wird der linker Arm des Mannes nach vorne im Horizontalen gestreckt. Exibela Mit dieser Tanz-Figur lernt man die erste der einfachsten Tanzkombination.

Man startet üblicherweise mit einem Par abajo oder Paseala im ersten 8er-Takt und im zweiten wird ein Vuelta getanzt.

Man beginnt wie bei Dile que no und führt katapultiert: Auf die 5 wird die Frau wieder zurück von der linke in dem rechten Arm zurückgebracht.

Es entstehen eine einfache Tanzkombination, wobei beide Tänzer ein Crossado Hinten bzw. Wichtig Wichtig ist keine Tanzfigur! Man sollte nicht nur die obige Tanzfigur schnell abtanzen.

Man braucht viel Feeling dabei und darauf musste der Lehrer und die Schüler achten. An seinem Stil auf Deutsch Style sollte mehr zeit investiert werden.

An viele Tänzer in der Salsaszene erkennt man, dass sie zwar die Tanzfiguren beherrschen, aber wundern sie sich, dass manche einfache Tanzfiguren ihre Tanznachbarn besser aussehen lassen.

Man könnte während einer Übungsstunde, wobei als Paar getanzt wird dieses einfache Tanzszenario ausprobieren.

Mann tanzt paarweise mit Basic-Schritten und wechselt dabei von der geschlossene in offene Stellung und zwar ein Lied lang. Du kommentierst mit Deinem WordPress.

Du kommentierst mit Deinem Twitter-Konto. Du kommentierst mit Deinem Facebook-Konto. Benachrichtigung bei weiteren Kommentaren per E-Mail senden.

Weblog für alle Salsa- und Rueda-Interessierte. Figurenbeschreibung Hier findet Figuren, deren Beschreibung eindeutig und v.

Die Grundelemente Die Grund- bzw. Basiselemente des Salsatanzens sind: Everybody goes "huh" at the same time. Then clap once and then three quick claps and cross body the follow on the right.

La Havana - - Starts with a two handed enchufla with check, then repeat. On the third two handed enchufla, the lead does a hook turn under and pulls the follow's hands down in front while the lead faces into the circle.

The lead then lifts their right arm up, then the left and, turning to the right a bit, leads the follow into a hammer lock. Unfold the hammer lock with a back break and then momentarily hook the follow's left arm with the lead's right elbow.

Cross body back to finish. La Isaura - - Enchufla and as the lead passed the follow on the left, continue onto the next follow on the left, cross body, then go to the follow two down, i.

The pattern is one to your left, two to your right and then one back to the original partner. Jardin - - Enchufla and grab the follow's left hand with right and walk into the circle.

Then go under the arm raised by the lead on your left. Then wait for the Bota call then grab the hand of the follow on your left and enchufla the follow back into the slot, then cross body lead the follow.

Make sure to "explode" the circle when doing bota. Juana la Cubana - - Exactly as shown, start with sombrero, then keep your left hand high and spin the follow around to your left putting your left hand on the follow's left shoulder.

Then pull the follow back to your right, keeping the follow's right hand low and fold it behind the follow's back and step up beside on the left.

Put the follow's hand behind your head, then pull it out and sacala, and coming back into a sombrero. Cross body lead back to wapea. La Jenny - - Enchufla, switching hands, then on the next eight count, cross-body lead back to the left and pull the follow behind the lead like paseala.

After switching hands right to right , on the next eight count, pull the follow around in front and then spin the follow into a hammer lock with the follow's arm behind their back.

At this point, the follow should be facing the lead with their right arm behind their back and the lead is facing downstream. On the next eight count, then cross body lead, and catch the follow by the left shoulder.

The lead should be facing inward slightly and the follow outward. On the next eight count, spin the follow to the clockwise and when they are facing the lead, the lead raises their arm and does a hook turn under it, ending up in the circle facing outward to the follow.

The lead then does a strong enchufla putting the follow momentarily in the circle before bringing the follow back into the slot on the right.

La Pisa - - Enchufla and then lead and follow hold left and right hand respectively and lean back for 8 counts.

Leonsio - - Start with Setenta, and like El Nudo, lead steps in front of follow and with left hand up, right hand low, turns to the right until facing into the circle and with arms, left over right, cross in front.

On the next eight count, first raise the left on the right side of the body and then right hand on the left side , keeping the left up over the head as the lead turns to face the follow to the right.

The lead should now be in a hammer lock with their left arm behind, holding the follow's right hand. Then lead the follow until the lead is facing upstream counter-clockwise.

The trick here is to rotate locked with the follow degrees, until the lead is facing upstream, and then pull the follow the rest of the way behind.

The lead then steps under their own arm and turns to the left to face the follow downstream. You have done this part right if you are in a position, to do a two handed enchufla with hook turn show them the L with the arms , and cross body the follow back to neutral.

Mambo - On 5, hold the hands up and the lead step right on 5 left on 7 right on 1 left on 3 and then pushes off ready for the next eight count.

This move is called on beat 3, not the typical 1. Mambo Tipiando - Like Mambo, this start on 5 and the leads start their taps on the right and follows with their left.

Two taps are done, i. Follows mirror the lead, tapping left, right, step left, cross and tap left, right, then back. The entire sequence of two taps, cross to the right, two taps and cross back is repeated twice and should end on a five with a hand press.

Mariposa - - enchufla then sacala and as the follow comes back, continue to pull them out of the way and grab the right hand of the next follow.

Enchufla and hook turn and then enchufla and cross body back to neutral. Melody - Enchufla and the lead stands in front and to the right of the follow, looking over their left shoulder at the follow.

The follow and lead, in a similar manner to Dos or Cubanito back rock, four times, then the lead picks up the next follow. Mezclado - - Leads turns to the follow on the right and catches the hand and brings the follow to the left, then catch the hand of the right hand follow again but spin the follow on the left nobody lets go!

Leads then spin the follow on left into a hammer lock. Back out of the hammer lock, bring the arms up and hook in the elbows.

Make a little dip. Then back break again and do a hook turn under the follow's arms, then switch places again back into a sombrero. Noventa ninety - - as shown, the trick is to lift the left hand and step under it.

Ochenta y uno - - enchufla and switch hands, lead the follow into a sacala with the right hand and as the follow comes back, hair comb the right hand over the follow's head.

Palmadas - Enchufla and like Enchufla con Mambo , the lead and follow stand next to each other and count out the follow steps to time - stomp left and right, then clap once, then stomp left and right again and clap two times.

Lead picks up the follow they are facing. Parte el brazo - - Lead the follow clockwise and into the center of the circle.

Lead puts right hand on follow's left shoulder and then, back stepping, grabs the back of the follows right hand and spins to the left, spinning the follow as well.

Then enchufla back into neutral. Parte el Brazo Complicado - - Similar to Parte el brazo, but after back stepping, put the follows arms behind their back when they face into the centre.

Paseala - - Pull the follow behind your back. Paseala y Complicate - - Starts with an enchufla, then two Paseala, then on the second one, the lead swings their right hand over their head and as the follow passes behind them, grabs the follow's left hand.

The lead should be in front of and to the left of the follow in a left to left and right to right hand hold. On the next eight count, the lead then pulls the follow forward and wraps the follow.

One the next eight count, the follow is unwrapped and spun to the right, keep the left hand low behind the back and the right hand leading the turn.

To help the follow unwravel, the lead should turn when turning the follow. Then end in a sombrero facing into the circle. Patin - - Do an enchufla doble, then another one and lead goes into the center, put arms on the shoulders of the other leads and step with left foot behind right and then right behind left, then spin back out and grab the partner to your right not the same follower!!

When joining the other leads, to put left hand low and right hand high and to start with left behind right. Prima y Enredala - - Prima and catch the hand of the follow on the right, back step and pull the follow on your left into a counter clock wise spin.

While pulling the follow out, hair comb your right arm over your heard, face to your left. Then repeat, back step and rotate the follow on your left, etc.

Once facing outward, continue to rotate to your left and back out under their arms. You should be backing out under the arms of the two follows and backing out of the circle.

Take the hand of the follow on your right, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on your shoulder and go the next follow on your LEFT!

Principe Malo - - Enchufla and slap the hand of the follow before moving on. Principe Bueno - - Enchufla and then kiss the hand of the follow before moving on.

Setenta - - As shown. Setenta Complicado - - As shown. Setenta con Dos Manos - From a basic Guapea, this starts on the 7 count by the lead grabbing the follow's hand on the right.

As the lead grabs the follow's hand on the right, they prep their partner on the left by putting their left hand inward, similar to a Setenta.

Then while the lead holds their right hand low, they rotate the follow on the left in a clockwise outside turn until wrapped.

On the next eight count, the lead unravels the follow and then as the follow comes around anti-clockwise, the lead turns to the right under the follow's arm.

The lead should now be facing the back of the follow with their right arm around their own waist holding the left arm of the follow behind them. As the group starts to move forward with Arriba, the lead then hair combs the follow's right hand over their head and onto the follow's left shoulder.

Dance until Dile Que No is called. Setenta Moderno - - Start like setenta, but lead the follower around behind and the lead steps in front with left hand up.

Lift hands up and lead the follow a round until behind again and the lead stands in front ducking under the right hand this time.

The lead then ducks slightly and leads the follow to the right grabbing both the follows hands leading into a sacala, then duck under the follows arm and cross body back into neutral position.

Setenta Nuevo - - Start like setenta by putting the follow into a hammer lock on the first eight count. On the next eight count when unravelling the follow, the lead puts their left hand low and right hand high and continues to rotate to the right until the lead is in a hammer lock facing the follow on the right.

The lead then pulls on the follows right hand and transfers them behind the lead on Once the follow is on the left, the lead is now in hammer lock with their right hand behind their back and facing the follow on their left, the lead does a turn to the right, holding their left hand high.

The lead should now be facing the follow in an open position. The lead now does a two handed enchufla and hair combs the follow. Setenta por Abajo - - Almost identical to what is shown in the video, except the ending is different - the lead faces into the circle and once the lead stands up and does the enchufla, it follows the same ending pattern as setenta starting at the 16second mark.

Setenta y Dos - - Starts like setenta, but end it by hooking first the left elbow over the follow's left on 5 and then the right elbow on 7.

Then cross body lead back. Setenta y Tres - - Starts like setenta with the lead ending inside facing outward. On the next eight count, the lead then raises both hands and steps under, turning to the left to face the follow, ending with cross arms.

The follow is then lead in an outside turn clockwise ending with a hair-comb on the right hand side, and cross body back to neutral.

Setenta y Uno - - Similar to Setenta y dos, but hook just the right elbow on 7. Siete con Coca Cola - - Starts like siete, but spin the follow around while stepping around, then cross body back to neutral.

Siete Loco - - Starts with the Setenta style prep with the lead stopping the follow in a wrapped position on 1,2,3 and then spinning the follow with both hands.

Then cross body and prep with both arms into the center of the circle. Then spin back-to-back with both hands over the head, ending with the follow in a sweet heart position.

Two sacalas ending with the right hand going in a hair-comb over the lead's head. Siete con Moderno - - Like siete, put your left hand into the circle but before the follow spins all the way out, flick the hand and grab the follow's left hand and put your right hand on the follow's back to stop the follow from spinning.

Then spin the follow back anti-clockwise and the haircomb the follow's arm over your shoulder and do a cross body.

Siete Setenta - - Start like setenta but put the follow into a hammerlock along the edge of the circle. Then back-break, and pull the follow around until they are facing outward, and hook both arms in on 7.

On 1,2,3, unhook first left then right, then lead the follow around in a clockwise turn until they are behind with their left arm across the leads backs exactly like setenta complicado.

Sombrero Doble - - Start with a sombrero, then lead the follow back to the left into a quick reverse sombrero, the lead preps inward with the left hand and rotates the follow around back to back leading back to the right and then cross body back to neutral.

Sombrero Con Mambo - - Start with a sombrero and when the follow is on the right, step out the mambo step. The cross body the follow back to the left and then around your back and back to the left side.

The follow keeps their hand around the mid-section of the lead. Sombrero con Patada - Like Sombero con mambo, starts with sombrero and the lead holds the follow on the right side.

Once in the Sombero, the lead and follow both jump forward, back then forward, back and kick, all following the clave beat. The lead kicks with their right and the follow with their left.

Then cross body back to neutral. Tumbao Francesa - - Enchufla, and then the lead pulls the follow past on the right with the follow's right arm.

Then grab the left arm of the next follow and moves to the next follow, grabbing their right arm. Repeat until "Bota" is called, then only when the next follow presents their right arm, pull them behind and enchufla them back.

Toma Corriente - - This move requires an even number of couples in the Rueda circle because the leads pair up.

Before this call is made, make sure you know who your other lead is by counting in twos, from the caller and the caller's pair to their right.

This is important because it means you turn left or right to face your partner, depending on if you are up or downstream of them counter clockwise being "upstream", the direction the leads "swim".

When called, start with an enchufla and switch hands right to the follow's left , then reach with your left hand and grasp the left hand of the other lead.

On the next eight count, back break and pull the follows under your joined arms making sure to raise your left hand so the follows do not have to duck.

On the next eight count, the leads pull past each other and turn to face their respective partner, but keep the hand hold and watch elbows.

While still connected, the leads then spin the follows into a sweet heart move hand on the shoulder of the follow , then spin them out on the next eight count, throwing the follow's hand up in an arc, letting go of the other lead.

The leads then move onto the next follow and cross body lead. Vacilala - - Spin the follow around to the right. Vascilon pronounced "Bah-sa-lawn" - Called on 1, the lead presses the hand on the follow on 5 as normal and then immediately turns to the right to face the next follow who turns to the left on 6 and 7 and steps forward on 1.

Then continues to turn to the right to face original partner for pressing of hands on 5. A Bayamo en Coche - - Starts with setenta complicado, but don't let go of the right hand when pulling the follow behind and put them into a locked elbow on the lead's left on 1,2,3.

To get the elbow over the follow's elbow, the lead should keep their arm up, as if they were kissing their bicep.

Lead and follow then walk forward on 5,6,7, back on 1,2,3, repeat and on second 5,6,7 lead turns to the right. Then enchufla, sacala with the right hand and pull the follow into a sweet heart move on the right and grab the lead's arm ahead of you.

Then walk around the circle for two eight counts. On the second eight count, push the follow outward on 5,6,7 and then pull the follow back on 1,2,3 back into the sweet heart and repeat twice, on the third time, pull the follow back and hook turn under the raised arm to face upstream to the right.

Clap twice on 7,8, and pick up the next follow. Ahorcala - - As shown. Akia - - Lead turns follow with two hand turn around from open position and cross body.

Back rock follow on neck first for eight count, then on left hip on 1,2,3 and then on hip on 5,6,7, rotate follow to right while lead hook turns to left, left hand grabs outside of follow's left hand.

Then enchufla and lead asks for left under right. Cross body, then hair comb lead first right hand and then left.

Algodon - Starts like Tunturnun where the follow is put into a hammerlock with the right hand in a hair comb.

However, the hair-comb is a fake and the lead undoes the hair-comb and immediately does an enchufla with a hook turn.

While doing a hook turn under the arms, the lead hops on one foot and pulls the follow from behind to the next lead on the left.

The lead then continues onto the next lead as usual. Agamemnon - - As shown. Bebe - - Starts with Balsero , Besito including hook turn, Enchufla into a Sombrero follow on right , Sacala, reverse Balsero and prep on 7 with both hands with follow on right downstream , back-to-back two handed turn putting the follow on the left or upstream, Enchufla into a Sombero and end with Abanico.

Bin Laden - This moves requires a pair of partners and an even number of couples around the circle, starting with the caller and going counter clockwise in pairs.

Starts with an Enchufla and the lead does a hook turn, then the leads grab a left to left hold. The follows is then lead with a Sacala in parallel to the leads.

The leads then turn to face each other and continue to turn to the left and back out under the raised arms of the follows. As they back under the arms, they switch the hands of the follows with their raised right hands.

The leads then lead the new follow in a outside turn and hook turn. The follow's should be back-to-back and the leads facing each other across the follows.

Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a counter-clockwise spin.

Control - Start like Sombrero with right over left, spin follow to the right and then hook your right hand behind the head of the follow.

Then back-break sending the follow outward unwrapping the arms into a cross position. Then enchufla and keep the right arm low and wrap it around the follow's back, and the lead spins under the follow's left arm.

As the follow goes under, keep the follow's arm straight, then back-break again and pull the follow back into a cross-body.

Conqueta con Meloa sp? Then, on the next eight count, the lead flips their hand hold to face up in order to pull the follow around the back bringing the right arm up over the follow's right arm.

Leads should be facing into the circle at this point. Over the next eight count, the trick is to unfold the arms in front such that the lead can turn to the follow on the right and hold the left arm up and right arm down then spin to the right.

On the next eight count, then duck under the follow's arm from left to right, while still holding the hands. The trick here is to place your right hand on the follow's shoulder and bringing the hand on your back as high as possible.

Come back up and do an enchufla, ending in double hooks, then cross body back to neutral. Enchufla and the lead does a hook turn, then the leads grab a left to left hold.

Do an enchufla and switch to the other partner's lead, do a cross body and then do a Dame dos con dos with a spin. Corona Triple - Setenta, then unravel and hair comb the follow on 5,6,7.

Then sacala and the lead hair combs themself by turning to the left and facing outward of the circle. Unhook the hair comb and turn with the follow into the circle and place the right hand behind the head of the follow not a hair comb, but the back of the lead's hand should be on the neck of the follow.

Then twist the follow under clockwise, by raising the left arm, keeping the right hand on the neck of the follow. The follow will need to duck under slightly.

Then lead behind while the lead turns to the left to face outward. The lead should be in their own hair comb and in the same arrangement as at the start of the pattern, facing outward, right hand pointed out, left hair combed over lead's head.

Unhook the hair comb and lead the follow around until facing into the circle and hair comb the follow. Then lead the follow behind and start a mambo on 7, and while continuing mambo five steps in total , unhook the follow and lead hair combs themselves.

Dame con Azucar - Starts off a dame, on count 7 8 when the lead is leaving the follow, they stand in front of the next follow to the left and roll the hips and upper body on On , jump to the left and cross body the next lead.

Dame con Estilo - 1 While in a left to right hand hold, lead the follow into the circle on 1,2 and spin back out on 3, then walk back out on 5, 6,7.

The lead then steps to the right and spins one the right foot in a complete circle follow's twist counter clockwise on their left and stomps left then right on 6 and 7 and 3 before picking up the follow for a cross body turn.

Dame con Macarana - Pull your lead into the center with their left hand on 1,2,3 and on 5,6 move back out with a plant of the lead's right foot outward.

The follow mirror's with a plant of their left foot. Then swivel right and left on the spot twice, then clap on 5 and spin on the right foot left for follows landing on 6 and 7 with stamping feet.

Pick up the next lead. Dedo de Laso - Starts with a prima and catch the follow on the right, with the lead doing a fake left arm over the head.

Then sacala the follow, cross body and do El Doce, but on the ending enchufla, follow up with a cross body with a coca cola, ie. Do yet another coca cola and on the last one, the follow spins to the left and the lead spins counter clockwise to the left to pick up the next follow.

Juana la Cubana Complicado - Most of the move is a duplication of Juana la Cubana , however another sacala is added at the end.

To start the complicado sacala, the lead's right hand is palm up, holding the follow's right hand. The left holds the follow's left hand and leads the sacala.

As the follow comes back from the centre of the circle, they are wrapped such that the follow and lead end up back to back. The lead then straighten's and pops their left arm straight and then lifts with the right hand, still palm up.

Like Juana La Cubana, the difference is that a second scala is done after the first and the follow is wrapped to the right with the lead's right hand.

The trick is to keep the left arm low and the right arm high. The follow then ducks back under the arms and is lead around back behind the lead into an enchufla.

Juegos de Manos - Setenta then a two handed enchufla and with a momentary hair comb with the right hand over the head. Then another enchufla, and this time, the lead hook turns under the arms, and brings the left arm down low next to the hip and leaves the right hand on the lead's shoulder.

Then the arms are switched one at a time in the following sequence - left arm goes from right to left ending on the left side of the head, while keeping enough distance between the arms, them move the right arm and put it on the right shoulder.

The follow's arms should be crossed at this point. Then move the left arm from the left side of the head back to the right side of the body, then bring the right and move it back to the left side of the head.

Only one hand is moved at a time, starting with the left, then right, left and right. While doing the arms movements, spin around for three eight counts.

On the final eight count, make sure the follow is on the right and cross body them with a two handed grip. Hasta Mana See you until tomorrow - Starts with Prima, lead join hands with the follow on the right, then everyone walks inward and hops back out 3 hops.

Then, on one, spin the follow from the right to the left and with the left hand, lead the follow behind and on the next one, enchufla the follow on the left and leads step into the circle and face out.

Then end like Vascilla con Bum Bum Bah, with leads walking outward and hopping back in as follows walk inward and hop three times back out.

Then cross body the upstream follow. Leonsio Complicado - - Lead the follow in an outside turn with two hands and then step in front of the follow with arms up and crossed.

Bring the left hand over the head drop it down the left and bring the right hand over and drop it down the right.

Loka - Starts like Toma Corriente but after the leads have switched places on 1,2,3, they pull their follows past to switch places on 5,6,7 and keep facing the same direction away.

On 1,2,3 the leads pull again with their right hand, this time, the follow goes under arms of both leads between the two leads such that the lead ends up in a hammer lock with their right arm.

The leads then duck to the left under the right arm of the follow and turning to face their own follow, ask for the follow's left hand with the lead's left hand.

Then turn the follow around and pull them to the right into the slot on 1,2,3 and on 5, press, with their respective left hands, the hand of the other follow.

Cross body to finish. Media Prima group move - Start with a Prima and on the 5,6,7 the leads raise their left hand and step backwards, left foot first, under the arm of the follow on their left and stand back up.

The circle should be very close now with the follows facing downstream to the left and the leads facing inward.

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